¸Ô²Ó ®Ñ¥Ø | ¤ù¡@¡@¡@¡@¦W | ºt¥X¨Æ¶µ | ¤º¡@®e¡@»¡¡@©ú | ¼½©ñ
|
|---|
 | ²ö¥¾¯S¡Gºq¼@Å]²Ã Wolfgang Amadeus Mozart : Die Zauberflote v.1 | ²ö¥¾¯S(Wolfgang Amadeus Mozart)§@¡F¸â©i´µ¡D§õ¨Z(James Levine)«ü´§¡F©|-¥ÖC¡DÃe¤ºº¸(Jean-Pierre Ponnelle)¾Éºt¡F¥ì¸¦¶ð¡D¸¯¨©¬¥«½(Edita Gruberova)¡Aºû¤]¯Ç·R¼Ö(Wiener Philharmoniker)µ¥ºt¥X | ¦b³o³õ1982¦~Âĺ¸¯÷³ùµ¼Ö¸`ªº¹êªp¿ý¼v·í¤¤¡A§ÚÌ¥i¨£ÃѨì¯À¦³¡uºq¼@¹q¼v¤§¤÷¡vªº¦W¾Éºt©|¥ÖC¡DÃe¤ºº¸©Ò§e²{ªº´_¥j»R¥x³]p»PªA¹¢¡C¦Ó¤µ¤é¯Ã¬ù¤j³£·|ºq¼@°|ªºµ¼ÖÁ`ºÊ§õ¨Z¡A·í¦~ÁÙ¬O«C¾v½µ½µªº«C§§¤§«º¡A¥H¥Rº¡³r½ì«ÕÀq»Pºë´ïªº¸àÄÀ·®æ±a»âºû¤]¯Ç·R¼Öºt¥X¡C¦¹³õºt¥X¬ö¿ý¬Ãµ}¦W¶Q¡A²³¬P¶³¶°¡A¦æ®a°Z®e¿ù¹L¡H
Å]²Ã¬O²ö¥¾¯Sªººq¼@³Ð§@¤¤³Ì¨ü¥@¤H³ß·Rªº¤@³¡§@«~¡C¼@¤¤¤£¦ý¦³¬ïµÛ±m¦â¦ÐÁlªº©Ç²§®·³¾¤H¡B¼C©Þ©¸±iªº©]¦Z¡B¾Ö¦³´¼¼zªº¤T¥Pµ£µ¥¥Rº¡¯«¸Ü¦â±mªº±¡¸`¡A¬G¨Æªº¥D¤H¯Î¶ð¦Ì¿Õ¤ý¤l»P©]¦Z¤§¤k©¬¦Ì®R¤½¥D¨â¤H±µ¨ü¸Õ·Ò¡BWºÉ¥Ì¨Óªº·R±¡¡A§óÅý¦¹§@«~¥Rº¡¥ú©ú¼ö±¡ªº®ðª^¡C |
|
 | ²ö¥¾¯S¡Gºq¼@Å]²Ã Wolfgang Amadeus Mozart : Die Zauberflote v.2 | ²ö¥¾¯S(Wolfgang Amadeus Mozart)§@¡F¸â©i´µ¡D§õ¨Z(James Levine)«ü´§¡F©|-¥ÖC¡DÃe¤ºº¸(Jean-Pierre Ponnelle)¾Éºt¡F¥ì¸¦¶ð¡D¸¯¨©¬¥«½(Edita Gruberova)¡Aºû¤]¯Ç·R¼Ö(Wiener Philharmoniker)µ¥ºt¥X | ¦b³o³õ1982¦~Âĺ¸¯÷³ùµ¼Ö¸`ªº¹êªp¿ý¼v·í¤¤¡A§ÚÌ¥i¨£ÃѨì¯À¦³¡uºq¼@¹q¼v¤§¤÷¡vªº¦W¾Éºt©|¥ÖC¡DÃe¤ºº¸©Ò§e²{ªº´_¥j»R¥x³]p»PªA¹¢¡C¦Ó¤µ¤é¯Ã¬ù¤j³£·|ºq¼@°|ªºµ¼ÖÁ`ºÊ§õ¨Z¡A·í¦~ÁÙ¬O«C¾v½µ½µªº«C§§¤§«º¡A¥H¥Rº¡³r½ì«ÕÀq»Pºë´ïªº¸àÄÀ·®æ±a»âºû¤]¯Ç·R¼Öºt¥X¡C¦¹³õºt¥X¬ö¿ý¬Ãµ}¦W¶Q¡A²³¬P¶³¶°¡A¦æ®a°Z®e¿ù¹L¡H
Å]²Ã¬O²ö¥¾¯Sªººq¼@³Ð§@¤¤³Ì¨ü¥@¤H³ß·Rªº¤@³¡§@«~¡C¼@¤¤¤£¦ý¦³¬ïµÛ±m¦â¦ÐÁlªº©Ç²§®·³¾¤H¡B¼C©Þ©¸±iªº©]¦Z¡B¾Ö¦³´¼¼zªº¤T¥Pµ£µ¥¥Rº¡¯«¸Ü¦â±mªº±¡¸`¡A¬G¨Æªº¥D¤H¯Î¶ð¦Ì¿Õ¤ý¤l»P©]¦Z¤§¤k©¬¦Ì®R¤½¥D¨â¤H±µ¨ü¸Õ·Ò¡BWºÉ¥Ì¨Óªº·R±¡¡A§óÅý¦¹§@«~¥Rº¡¥ú©ú¼ö±¡ªº®ðª^¡C |
|
 | ²ö¥¾¯S¡Gºq¼@ð³ì¤Z¥§ Wolfgang Amadeus Mozart : Don Giovanni | ²ö¥¾¯S(Wolfgang Amadeus Mozart)§@¡F¨½¥d¦h¡D¼}´£(Riccardo Muti)«ü´§¡Fù¨©¦«¡D¼w¡D¦èªù(Roberto de Simone)»R¥x¾Éºt¡F¥d¬¥´µ¡D¦ãªk·ç¯÷(Carlos Alvarez)¡Aºû¤]¯Ç°ê®aºq¼@°|ºÞ²Í¼Ö¹Îº[¦X°Û¹Î(Chor und Orchester der Wiener Staatsoper)µ¥ºt¥X | ¦bºq¼@¥v¤W¡A¤j·§¥u¦³²ö¥¾¯Sµ§¤Uªºð³ì¤Z¥§¯à¦p¦¹ªº·¬yÐ×Ål¡Bª±¥@¤£®¥¡C³o¦ì¥HÂyºÉ¤Ñ¤U¤k¤l¬°Â¾§Óªºªáªá¤½¤l¡A¥M¶Õ¦Û¨¤£êªº®a¥@»P·«×½¡½¡ªº¥~»ª¡A¥H±j¹Ü»¨¨úªº¤â¬q¡A»¤ÄF¨}®a°ü¤k¡A¬Æ¦ÓÁÙ¦]¦¹¤Þ°_±þ¤H©R®×¡A³Ì«á´c¤H²×¦³´c³ø¡Að³ì¤Z¥§³o¦ì©ÜµÛ¤H¥Öªº¦â¯T²×¾D¤ÑÄþ¡A²@µL®¬·Nªº¥L³Q«e¨Óĵ§iªº°»îµ¹©ì¶i¦aº»¡A¾D¨ü¯PµK¬ï¤ßªºÃg»@¡C¦b³o³õ1999¦~ºû¤]¯Çºq¼@°|ªº¹êªp¿ý¼v·í¤¤¡A§Ú̱NÅåÆA©ó«ü´§¤j®v¼}´£¹ï©óÀ¸¼@®ðª^ªº§¹¬ü´x±±¡A¦Ó¹¢ºtð³ì¤Z¥§ªººt°Û®a¥d¬¥´µ¡D¦ãªk·ç¯÷§ó¬O±N·¬y¦¨©ÊªºÐK¿Ç¶Q±Ú§êºtªº¤J¤ì¤T¤À¡AÅý¤H¤S·R¤S«ë¡C |
|
 | ²ö¥¾¯S¡Gºq¼@¶O¥[¬¥ªº±B§ Wolfgang Amadeus Mozart : Le Nozze di Figaro v.1 | ²ö¥¾¯S(Wolfgang Amadeus Mozart)§@¡F¥dº¸¡D¨©©i(Karl Bohm)«ü´§¡F®ï®æ¥Ë¡DÃh·æº¸(Ingvar Wixell)¡Aºû¤]¯Ç·R¼Ö(Wiener Philharmoniker)µ¥ºt¥X | ²ö¥¾¯Sªº¤T¤jºq¼@¤§¤@¡C¤]¬O¥j©¹¤µ¨Óªº³Ì°¶¤j³ßºq¼@¶O¥[¬¥ªº±B§¡A¬G¨Æ©µÄòµÛÁɺû¨½¨Èªº²z¾v®vªº¼@±¡¡A´y¼g¤w±Bªºªüº¿ºû¥Ë§BÀïÁ»¿Ì¹²¤H¶O¥[¬¥ªº¥¼±B©dĬ¬À®R¡A¶O¥[¬¥¥H¨ä¾÷´¼§®p¹ï§Ü¥D¤Hªº¸Ù¿Ó¹Lµ{¡C²ö¥¾¯S¬°¦¹¼@¼g¤U¤F³\¦hÁzª¥¤H¤fªº¸g¨å¦W¦±¡A¬y¶Ç¦Ü¤µ¨â¦Ê¾l¦~¡A¶O¥[¬¥ªº±B§¤@ª½¬O³Ì¨ü¥@¤H¬Ã·Rªº³ßºq¼@¡C¦Ó¤G¤Q¥@¬öªº¶ø¦a§Q«ü´§¤j®v¥dº¸¡D¨©©i¡A±q1920¦~º¦¸µn¥x¨ì1984¦~ÁÂ¥@¡A¥L¦b¼w¶øµ¼Ö»â°ìªºÅã»®¦a¦ì¡A¯S§O¦b©ó²ö¥¾¯S¦±¥Øªº¨ô¶V¸àÄÀ¡A©l²×³Q¤½»{¬°¸D¸E¼Ö¾Â¸s¶¯ªº¡u²ö¥¾¯SÅv«Â¡v¡C |
|
 | ²ö¥¾¯S¡Gºq¼@¶O¥[¬¥ªº±B§ Wolfgang Amadeus Mozart : Le Nozze di Figaro v.2 | ²ö¥¾¯S(Wolfgang Amadeus Mozart)§@¡F¥dº¸¡D¨©©i(Karl Bohm)«ü´§¡F®ï®æ¥Ë¡DÃh·æº¸(Ingvar Wixell)¡Aºû¤]¯Ç·R¼Ö(Wiener Philharmoniker)µ¥ºt¥X | ²ö¥¾¯Sªº¤T¤jºq¼@¤§¤@¡C¤]¬O¥j©¹¤µ¨Óªº³Ì°¶¤j³ßºq¼@¶O¥[¬¥ªº±B§¡A¬G¨Æ©µÄòµÛÁɺû¨½¨Èªº²z¾v®vªº¼@±¡¡A´y¼g¤w±Bªºªüº¿ºû¥Ë§BÀïÁ»¿Ì¹²¤H¶O¥[¬¥ªº¥¼±B©dĬ¬À®R¡A¶O¥[¬¥¥H¨ä¾÷´¼§®p¹ï§Ü¥D¤Hªº¸Ù¿Ó¹Lµ{¡C²ö¥¾¯S¬°¦¹¼@¼g¤U¤F³\¦hÁzª¥¤H¤fªº¸g¨å¦W¦±¡A¬y¶Ç¦Ü¤µ¨â¦Ê¾l¦~¡A¶O¥[¬¥ªº±B§¤@ª½¬O³Ì¨ü¥@¤H¬Ã·Rªº³ßºq¼@¡C¦Ó¤G¤Q¥@¬öªº¶ø¦a§Q«ü´§¤j®v¥dº¸¡D¨©©i¡A±q1920¦~º¦¸µn¥x¨ì1984¦~ÁÂ¥@¡A¥L¦b¼w¶øµ¼Ö»â°ìªºÅã»®¦a¦ì¡A¯S§O¦b©ó²ö¥¾¯S¦±¥Øªº¨ô¶V¸àÄÀ¡A©l²×³Q¤½»{¬°¸D¸E¼Ö¾Â¸s¶¯ªº¡u²ö¥¾¯SÅv«Â¡v¡C |
|
 | «Âº¸²Ä¡Gºq¼@¹C°Û¸Ö¤H Giuseppe Verdi : Il Trovatore v.1 | «Âº¸²Ä(Giuseppe Verdi)§@¡F»®§B¯S¡D¶¾¡D¥d©Ô´(Herbert von Karajan)«ü´§¡F´¶©Ô¦è¦h¡D¦h©úô(Placido Domingo)¡Aºû¤]¯Ç°ê®aºq¼@°|ºÞ©¶¼Ö¹Î(Orchester der Wiener Staatsoper)µ¥ºt¥X | ¹C°Û¸Ö¤H¥i»¡¬Oºq¼@¤j®v«Âº¸²Äªº¤¤´Á³Ç§@¤§¤@¡AÂA©úªº¤Hª«¨¤¦â»P±j¯PªºÀ¸¼@©Ê¡A¦¨¥\ªº´yø¤F¤H©Ê¤¤ªº³±·t»P·´·À©Ê¡C¤@¬q³¯¦~©¹¨Æ¡A²o§è¥X¤õ¦D§Å¤k»PµJ¶ÂÀ¦«ÍªºÁq°Ê§H¨Æ¡A¬°ªü©Ô°^¦a¤è¶Q±Ú¾|¯Ç§BÀï®a±Ú¥Ã»·µLªk©Ù·Àªº¶Ëµh¡C¾|¯Ç§BÀïÁ鱡©ó¤k©xÁ¢¶ø¿Õ©Ô¡A¦ýÁ¢¶ø¿Õ©Ô¦¤w¤ß¦³©ÒÄݹC°Û¸Ö¤H°Ò§Q¥i¡C¦b¤ß¥Í§Ò§ª¤U¡A¾|¯Ç§BÀﳺ¿ù±þ¤â¨¬¡A®¬«ë¤§¾l¤]¥u¯à®{¹Ä©R¹Bªº´Ý»Å»P§@§Ë¡C |
|
 | «Âº¸²Ä¡Gºq¼@¹C°Û¸Ö¤H Giuseppe Verdi : Il Trovatore v.2 | «Âº¸²Ä(Giuseppe Verdi)§@¡F»®§B¯S¡D¶¾¡D¥d©Ô´(Herbert von Karajan)«ü´§¡F´¶©Ô¦è¦h¡D¦h©úô(Placido Domingo)¡Aºû¤]¯Ç°ê®aºq¼@°|ºÞ©¶¼Ö¹Î(Orchester der Wiener Staatsoper)µ¥ºt¥X | ¹C°Û¸Ö¤H¥i»¡¬Oºq¼@¤j®v«Âº¸²Äªº¤¤´Á³Ç§@¤§¤@¡AÂA©úªº¤Hª«¨¤¦â»P±j¯PªºÀ¸¼@©Ê¡A¦¨¥\ªº´yø¤F¤H©Ê¤¤ªº³±·t»P·´·À©Ê¡C¤@¬q³¯¦~©¹¨Æ¡A²o§è¥X¤õ¦D§Å¤k»PµJ¶ÂÀ¦«ÍªºÁq°Ê§H¨Æ¡A¬°ªü©Ô°^¦a¤è¶Q±Ú¾|¯Ç§BÀï®a±Ú¥Ã»·µLªk©Ù·Àªº¶Ëµh¡C¾|¯Ç§BÀïÁ鱡©ó¤k©xÁ¢¶ø¿Õ©Ô¡A¦ýÁ¢¶ø¿Õ©Ô¦¤w¤ß¦³©ÒÄݹC°Û¸Ö¤H°Ò§Q¥i¡C¦b¤ß¥Í§Ò§ª¤U¡A¾|¯Ç§BÀﳺ¿ù±þ¤â¨¬¡A®¬«ë¤§¾l¤]¥u¯à®{¹Ä©R¹Bªº´Ý»Å»P§@§Ë¡C |
|
 | ¤ñ¤~¡Gºq¼@¥dªù Georges Bizet : Carmen v.1 | ¤ñ¤~(Georges Bizet)§@¡F¨ÈÄõ¡D¶©¤Ú¼w(Alain Lombard)«ü´§¡FªkÄõ¥i¡D®ãµá¹p§Q(Franco Zeffirelli)¾Éºt¡Fº¿²ú®R¡D¦hº¿Á§¬_(Marina Domashenko)¡Aºû¬¥¯ÇÅS¤Ñ¶ê§Î¼@°|ºÞ²Í¼Ö¹Î¡B¦X°Û¹Î»PªÝÁ¢»R¹Î(Orchestra, Choir and corps de Ballet of Arena Di Verona)µ¥ºt¥X | ¥v¤W³Ì¨üÅwªïªººq¼@¡Ð¥dªù¦b¥þ²y³ÌµÛ¦WªºÅS¤Ñªíºt¸t¦a¡Ðºû¬¥¯Ç¶ê§Î¼@³õªº¹êªpºt¥X¡A¦A¥[¤W¶ø´µ¥dª÷¼ú¤j¾Éºt®ãµá¹p§Qªº»¨µØ»s§@»P°ê»Ú¯ÅÁn¼Ö®aªº¶É¤Oºt°Û¡Aµ´¹ï¬O©Ò¦³¼Ö°gªº²Ä¤@º¿ï¡I³o¬O2003¦~ºû¬¥¯Çºq¼@©uªº¶}¹õ«ÀYÀ¸¡A¯S§OÁܽШ찪ÄÖ80·³ªº®ãµá¹p§Q¿Ë¦Û¥X°¨»s§@¡A¥L±N³o®y¥i®e¯Ç25000¦WÆ[²³ªº¥jù°¨Äv§Þ³õùÛÂI¦¨ÆvÄR¹Ü¥Øªº¦è¯Z¤ú·±¡µe¡A°Êû¤F¼Æ¦Ê¦ìºq¤â»P»RªÌ¡A¬Æ¦Ü³s°¨Æjµ¥°Êª«¥ç³£·h¤W»R¥x¡Aºc¿v³oÄÕÅý¤H¼Û¬°Æ[¤îªº¤jºq¼@¡I |
|
 | ¤ñ¤~¡Gºq¼@¥dªù Georges Bizet : Carmen v.2 | ¤ñ¤~(Georges Bizet)§@¡F¨ÈÄõ¡D¶©¤Ú¼w(Alain Lombard)«ü´§¡FªkÄõ¥i¡D®ãµá¹p§Q(Franco Zeffirelli)¾Éºt¡Fº¿²ú®R¡D¦hº¿Á§¬_(Marina Domashenko)¡Aºû¬¥¯ÇÅS¤Ñ¶ê§Î¼@°|ºÞ²Í¼Ö¹Î¡B¦X°Û¹Î»PªÝÁ¢»R¹Î(Orchestra, Choir and corps de Ballet of Arena Di Verona)µ¥ºt¥X | ¥v¤W³Ì¨üÅwªïªººq¼@¡Ð¥dªù¦b¥þ²y³ÌµÛ¦WªºÅS¤Ñªíºt¸t¦a¡Ðºû¬¥¯Ç¶ê§Î¼@³õªº¹êªpºt¥X¡A¦A¥[¤W¶ø´µ¥dª÷¼ú¤j¾Éºt®ãµá¹p§Qªº»¨µØ»s§@»P°ê»Ú¯ÅÁn¼Ö®aªº¶É¤Oºt°Û¡Aµ´¹ï¬O©Ò¦³¼Ö°gªº²Ä¤@º¿ï¡I³o¬O2003¦~ºû¬¥¯Çºq¼@©uªº¶}¹õ«ÀYÀ¸¡A¯S§OÁܽШ찪ÄÖ80·³ªº®ãµá¹p§Q¿Ë¦Û¥X°¨»s§@¡A¥L±N³o®y¥i®e¯Ç25000¦WÆ[²³ªº¥jù°¨Äv§Þ³õùÛÂI¦¨ÆvÄR¹Ü¥Øªº¦è¯Z¤ú·±¡µe¡A°Êû¤F¼Æ¦Ê¦ìºq¤â»P»RªÌ¡A¬Æ¦Ü³s°¨Æjµ¥°Êª«¥ç³£·h¤W»R¥x¡Aºc¿v³oÄÕÅý¤H¼Û¬°Æ[¤îªº¤jºq¼@¡I |
|
 | ¤p¬ù¿«¡D¥v¯S³Ò´µ¡Gºq¼@½¿½» Johnann StrauB : Die Fledermaus | ¤p¬ù¿«¡D¥v¯S³Ò´µ(Johnann StrauB)§@¡FÅSµX¨È¡Dªi´¶(Lucia Popp)¡Aºû¤]¯Ç°ê®aºq¼@°|ºÞ²Í¼Ö¹Î(Orchester der Wiener Staatsoper)µ¥ºt¥X¡F®u¼Ú¦h¡D¸¯¥ð¥]º¸(Theoddor Guschlbauer)«ü´§¡F¶ø¹Ï¡D¥v°í§J(Otto Schenk)¾Éºt | ¤£·\¬°¡u¶ê»R¦±¤§¤ý¡vªº¤p¬ù¿«¡O¥v¯S³Ò´µ¡A¦b¨ä³Ð§@ªº»´ºq¼@½¿½»¤@¼@¤¤¡A¨ÌµM¥H¨ä©Ò¾Õªøªº¶ê»R¦±·®æ¡A¥©§®ªº¿Ä¤J¼@¤¤¡A¨Ï±o¾ãÄÕÀ¸½X¦b´r®®Àu¶®ªºµ¼Ö±a°Ê¤U¡Aºt¨Ó¦æ¶³¬y¤ô¡B¨¥¤§¦³ª«¡A¥þ¼@©Ò®i²{ªº¤@P©Êµ¼Ö¬ü·P»PÃÀ³N»ùÈ¡A¥¿¬O¦¹¼@¾ú¤[¤£°Iªº«nÃöÁä¡I½¿½»³o³¡¬¡¼â¦ÓÀ¸ë¦ªº»´ºq¼@¡A¬G¨Æ¥Dn³ò¶¦b´I¸Î¦ýµÊ®ð·¥®tªººû¤]¯Ç´I°Ó¦ã´Ë¥v©Z¡A¦p¦ó¦]¬°¼Þ¥´Äµ¹î¦Ó»Ý¤Jº»ªA¦D¡A«o¤S¦b³±¿ù¶§®t¤§¤U¡A¥Ñ¨ä©dªº±¡¤Ò¥N¸o¤UºÊ¡D¡D¡D¤@³s¦êªº¯QÀs³¾¨Æ¤£¦ý±N¨£¤£±o¥úªºÁà»D·h¤WÂi±¡A«o¤]¬ðÅã¥X·í¨ÆªÌÂAÄR¥~ªí¤U¤£¬°¤Hª¾ªº¥t¤@±¡C |
|
 | ºq¼@¤k¯«¥d©Ôµ·¤§·R»P¦º Maria Callas : Living and Dying for Art and Love | ¥d©Ôµ·(Callas, Maria, 1923-1977)¶Ç°O | ºq¼@¤k¯«¥d©Ôµ·¡A³o¦ì¦âÃÀݨãµS¦p¦nµÜ¶õ¤k¬P¯ëÆAÄR°Ê¤Hªº¥@¬ö¤k°ªµ¡A¨ä¤@¥Í´N¦pÀ³Åç¤F¥j¦Ñªº¥x»y¿Î»y¡u¬ü¤HåF¬ü©R¡v¤@¯ë¥O¤H®D¼N¹Ä®§¡C¥d©Ôµ·¦bºt°Û¥Í²P¹F¨ìÄA®p¤§®É¡A«o¿ï¾Ü·R±¡¦Ó²H¥X¦p¤é¤¤¤Ñªººq¼@ºt°Û¨Æ·~¡A¦¹Á|¤£¦ý¤Þ°_µ¼Ö¬É»PªÀ¥æ¬ÉªºÃϵM»P±{±¤¡A¤]¬°¦oªºµ¼Ö¨Æ·~®I¤U˶ڪº¦M¾÷¡I¤£¦P©ó§{¶¡¥u±Mª`©óºq¥\¹|¼wªº¶Ç°O¬ö¿ý¼v¤ù¡A©Ôµ·¤§·R»P¦º©Ò§e²{ªº¬O§ó¶Kªñ©ó¶Ç°O¤Hª«¤¤ÂA¤Ö¤Hª¾ªºÁô¨pªÅ¶¡¡A¦¹¤ù¤£¶È¦¬¿ý¤F³\¦hÂA¤ÖÃn¥úªº¬Ã¶Qºt¥Xµe±»P¾ú¥v¸g¨åÃèÀY¡A§óÁܽЫü´§¤j®v¯ª»«±ö¶ðµ¥¡A±´¯Á¦^·¹¦o¥Í©R¤¤ªº¨C¤@Ó«n®É¨è¡I |
|
 | ºq¼@¥¨À¼«Âº¸²Äªº¤@¥Í Fly, Thought, On Golden Wings - Verdi's Life | «Âº¸²Ä(Verdi, Giuseppe, 1813-1901)¶Ç°O¡Fº~´¶´Ë(Thomas Hampson)Á¿z¡Bºt°Û¡F²z¬d¡Dªü©i´µ§§(Richard Armstrong)«ü´§ | ¬°¤F¬ö©À«Âº¸²Ä³u¥@¦Ê¦~¡AEuroArts¸ó°êÁp¦X¨â¤j¤½¦@¹qµøNHK»PORF¦@¦P©çÄá³o¤ä¬Ã¶Qªº¬ö¿ý¤ù¡M¨Ã¯S§OÁܽШì¾Ö¦³¡u¥@¬ö¨k¤¤µ¡v¬üÅAªº´öº¿´µ¡Dº~´¶´Ë¾á¥ô¥DÁ¿¤H¡A¥L±a»â§Ṳ́@¨B¤@¸}¦L¦a«¦^«Âº¸²Ä¹L¥hªº¨¬¸ñ¡A±q¤j®v¥X¥Íªºªiªe®Ç¤p§ø²ø¡B½÷·×©º¾Ôªº¤Ú¾¤ºq¼@°|¡Bª½¨ìºq¼@®õ¤æÂó²´³u¥hªº¦ÌÄõ¤j¶º©±¡D¡D¡D³o¤ä¼v¤ù¤£¥u³æ¯Â¦a±´³X«Âº¸²Ä¥Í¥¦Ó¤w¡A¤j®v¨º¨Ç¾Ù°Ê¤H¤ßªºµ¼Ö§ó¬O¾ã¤ä¼v¤ùªºÆF»î«¤ß¡C |
|
 | ³¥Ë²Ä¡G¥|©u¤p´£µ^¨ó«µ¦± Antonio Vivaldi : The Four Seasons | ³¥Ë²Ä(Antonio Vivaldi)§@¡F§J³Ò}¼Ú¡D¦è»X¤º(Claudio Scimone)«ü´§¡F«Â¥§´µ¿W«µ®a¦X«µ¹Î(I Solisti Veneti)ºt¥X | ²@µLºÃ°Ý¡A³¥Ë²Äªº¥|©u¤p´£µ^¨ó«µ¦±µ´¹ï¬O¥j©¹¤µ¨Ó³Ì¨üÅwªïªº¸g¨å¡I¦b³o±i¬Ãµ}DVD¸Ì¡A¥Ñ·í¥NÅv«Âªº¤Ú¬¥§J¤j®v¦è»X¤º¡A²v»â³»¦yªº«Â¥§´µ¿W«µ®a¦X«µ¹Î¡A¦@¦Pºt¥X³Ì¥¿©v¹D¦aªº³¥Ë²Ä¦W¦±¡C¦Ó¬°¤FÅý±z§ó²`¤J¤F¸Ñµ¼Ö¤º²[¡A¥»¤ù¥ç¦¬¿ý¤F¦è»X¤º¿Ë¦Û¸ÑªR¥|©u¤¤©ÒÄÂêºÃÀ³N±K½X¡I¥»¤ù¤£¶È´£¨Ñ±zťı¤Wªº·¥P¨É¨ü¡A§ó§eÄmµ¹±zµL»PÛ¤ñªºµøÄ±ÅéÅç¡I |
|
 | ¿ûµ^©Ç³Ç¡GÅUº¸¼w¡Ð«Xù´µ¤§®È Glenn Gould : The Russian Journey | ¸¯ªL¡DÅUº¸¼w(Glenn Gould)ºt«µ¡F¤×®u¤Ò¡D¶Oª÷§B®æ(Yosif Feyginberg)¾Éºt¡F¦C¹ç®æ°Ç·R¼ÖºÞ²Í¼Ö¹Î»P¥æÅT²Í¼Ö¥|««µ(The Leningrad Philharmonic Orchestra and Symphony String Quartet)ºt¥X | ¦b³o³¡¬ö¿ý¤ù¤¤¡AÄÝ©óÅUº¸¼w¥Í©R¤¤³Ì«nªº¤@Ó³¹¸`§Y±N³Q²Ä¤@¦¸§¹¾ãªº®i²{¡I³o±i¿ûµ^©Ç³Ç¡uÅUº¸¼w¡Ð«Xù´µ¤§®È¡vDVD¡A¤£¦ý¦¬¿ý¤F«O¦s¨}¦nªººt¥X¼v¹³¤Î¹Ï¤ù¬ö¿ý¡M¦b¦h¦ì·í¦~ªº«ô³X¤§®È¤¤´¿¸g°Ñ»P¦¹«n¹Lµ{ªº¾ú¥v¾Ç®a¤Îµ¼Ö®a̪º²{¨¸Ñ»¡¡A§ó¥[¨£ÃÒ¤FÅUº¸¼w³o¦ì¦Ê¦~Ãø±o¤@¨£ªº¤Ñ¤~¦p¦ó¥H¦Û¨ªº¾y¤O¡A¶É˨º¨Ç¥HÄYÂÔ»D¦Wªº«X°êµ¼Ö¤j®vÌ¡A¤Î¾_¾Ù¾ãÓ«X°ê¥j¨åµ¼Ö¥@¬É¡I¹ï©ó³ß·RÅUº¸¼wªº¼Ö°g¨Ó»¡¡A³o¬O¤@±i¤£®e¿ù¹Lªººt¥X¡I |
|
 | ¤ÚÛªi¦]µ¼Ö¥Í²P50¶g¦~¬ö©Àµ¼Ö·| Daniel Barenboim 50 Years On Stage | ¤ÚÛªi¦](Daniel Barenboim)ºt«µ | 2000¦~8¤ë19¤éªü®Ú§Ê¥¬©y¿Õ´µ¦ã§Q´µ¬ì¶©¼@°|¹êªpºt¥X¡C³o³õµ¼Ö·|®i²{¤F¤ÚÛªi¦]¦b¿ûµ^ÃÀ³Nªºµ´¥N·µØ¡A¦±¥Ø¥]¬A¤W¥b³õªº²ö¥¾¯S»P¨©¦hªâªº¿ûµ^«µ»ï¦±¡B¥H¤Î¤U¥b³õªºªüº¸¯Z¥§¤h¥ì¨©§Q¨È¿ûµ^¦±¶°¡C¦bÆ[²³ªº¼ö±¡Åw©I¡A¬Æ¦Ü»ôÁn¬°¤j®v°Û¶P¡u¶g¦~¼y§Ö¼Ö¡v¤U¡A¤ÚÛªi¦]®i¶}¤F¦p¦P°¨©ÔªQ¯ëªº¦w¥i¦±ºt¥X¡Cª½¨ì¤È©]®É¤À¡A¤ÚÛªi¦]¤£±o¤£¦^¨ì»R¥x¿Ë¦Û»\¤Wµ^»\¡Aµ²§ô¤F³o³õ§O¨ã·N¸qªº¬ö©Àµ¼Ö·|¡C |
|